|
For more information about the following soldiers see my various articles and books listed on the publications page.
Emperor Leo IV, known somewhat debatably as “The Wise”, sat
upon the Golden Throne from 886 to 913. It was under his rule that
the literary renaissance of the tenth century was launched. A
particular feature of this trend was a renewed attention to codifying
and recording military practice and technology. Two manuals were
compiled during his reign, the Taktika attributed explicitly
to him and the Syllogê Taktikôn (Latinised =
Sylloge Tacticorum). These works contain amongst other things,
the first recorded reference to lamellar armour as a staple of
regular troops.
Presently there are no complete English
translations of either of these manuals, although Charles Oman
includes some of the Taktika in his book on warfare in the
middle ages.
The Composition on Warfare (commonly known by the
Latinised title Praecepta Militaria), a military manual
written about 965 by Nikiphoros Phokas, goes into much detail about
the optimal arms and armour for Roman troops of the time. When
correctly read in the light of other source material and practical
knowledge, it is an invaluable basis for reconstructing Roman arms
and armour of the late tenth to twelfth centuries.
The most
accessible edition is contained in Eric McGeer, Sowing the
Dragon’s Teeth, Washington 1995, however the parallel
English translation and notes are not to be relied upon too readily.
It was to take another two centuries or more before Western armour was to approach the quality of the best described in these sources. Some of the most basic forms, such as padded garments, were to become European staples in the wake of contact with Levantine cultures during the Crusades.
|
|
|
|
|
Despite the dynastic wars of the later eleventh century and the depredations of the Crusaders, the eleventh and twelfth centuries were a period of economic growth for the empire. This allowed some development of some more heavily armoured troops, although they were not common, and the earlier styles continued through.
|
|
|
|
|
|